The Schleissheim Palace (German: Schloss Schleißheim) actually comprises three palaces in a grand baroque park in the village of Oberschleißheim near Munich, Bavaria, Germany. The palace was the summer residence of the rulers of Bavaria.
The history of Schleissheim Palace started with a renaissance country house and hermitage founded by William V close to Dachau Palace. Under his son Maximilian I the buildings were extended between 1617 and 1623 by Heinrich Schön to the so-called Old Palace. The rooms were decorated by Peter Candid. Maximilian's son and successor Ferdinand Maria died here in 1679.
After heaviest destruction in the Second World War the palace with its spacious economy buildings was reconstructed. The Old Schleissheim Palace houses today two exhibitions, one about religious culture, the other one about the history of Prussia. The Grand Hall in the middle of the main building today serves as foyer for the museums.
Then Enrico Zuccalli built Lustheim Palace as a garden villa in Italian style in 1684-1688 for Maximilian II Emanuel and his first wife, the Austrian princess Maria Antonia.
The interior is dominated by the large banqueting hall in the middle of the building. The frescoes were done by Johann Anton Gumpp, Francesco Rosa and Johann Andreas Trubillio.
Since 1968 the palace houses a grand collection of Meissen porcelain only outranged by the Zwinger.
The palace once formed the centre point of a semicircle of round buildings. Two pavillons still exist: To the south of Lustheim Place the Renatus Chapel was erected in 1686 by Zuccalli in a pavillon. The northern pavillon houses the decorated stable which was built for the favourite horses of Elector Max Emanuel.
Zuccalli also finally erected the baroque New Palace between both castles in 1701-1704 as new residence, since the elector expected the imperial crown. But after Max Emanuel had lost Bavaria for some years in the War of the Spanish Succession the construction work was interrupted. Joseph Effner enlarged the building to one of the most impressive baroque palaces in 1719-1726. But only the main wing was completed.
Important samples of German baroque architecture are especially the Grand Hall, the Grand Gallery, the wide staircase, the Maximilian's Chapel and the four state apartments decorated by artists such as Charles Dubut, Franz Joachim Beich, Johann Baptist Zimmermann, Cosmas Damian Asam and Jacopo Amigoni. The Grand Gallery was constructed in line with a draft provided by Robert de Cotte. The Victory Hall, the Red Cabinet and the Chapel of the Electress keep the most significant interior decorations. Most of the rooms still show their original late baroque decoration celebrating the elector's victories against the Turks. The entirely preserved Gobelin tapestries were acquired by Max Emanuel from Flemish manufacturies when he served as Governor for the Spanish Netherlands.
Max Emanuels's son Emperor Charles VII Albert preferred the more private atmosphere of Nymphenburg Palace, so only one of four planned wings was completed. But Max Emanuel's grandson Maximilian III Joseph ordered to decorate some rooms in rococo style. In 1763 Ignaz Günther decorated the wings of the east portal with allegorical adornments. Under King Ludwig I finally Leo von Klenze completed the grand stairway.
Klenze's neoclassical alterations of the façade were not restored with the renovation after the destructions in World War II.
The Gallery of baroque paintings owned by the Bavarian State Picture Collections is today exhibited in several rooms. Among the artists are Flemish Baroque painters such as Peter Paul Rubens and Anthony van Dyck, Italians like Guido Reni, Luca Giordano, Guercino, Carlo Saraceni, Marcantonio Bassetti, Alessandro Turchi, Carlo Dolci and Pietro da Cortona, but also the Germans Joachim von Sandrart, Johann Heinrich Schönfeld and Johann Carl Loth and the Spanish painters Alonso Cano, José Antolinez and José de Ribera.
The grand park is one of the rare preserved baroque gardens in Germany. Its structure with the canals and the bosket area was already arranged by Zuccalli. Dominique Girard, a pupil of Le Notre, constructed the grand parterre and the cascade until 1720.
