The Pinakothek der Moderne is a modern art museum, situated in the city centre of Munich, Germany. Together with the Alte Pinakothek and the Neue Pinakothek it is part of Munich's "Kunstareal" (the "art district").
"Madame Soler" 1903 (from Picasso's Blue Period)]] "Still Life with Geraniums" 1910 (first painting of Matisse acquired by a public collection)]]
Designed by the German Architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The rectilinear facade, dominated by white and grey concrete, is interrupted by large windows and highrising columns, the latter supporting the extensive canopied roof. Each of the four corners of the building, connected by a central rotunda, is dedicated to a special collection. The Museum is thus divided into Art (Kunst), Architecture (Architektur), Design (Design) and Works on Paper (Graphik).
The Pinakothek der Moderne unifies the "Sammlung Moderne Kunst" (National Collection of Modern and Contemporary Arts, which is under supervision of the Bavarian State Painting Collections), the "Staatliche Graphische Sammlung" (National Collection of Works on Paper), the "Neue Sammlung" ('New Collection': National Museum for Design and Applied Arts) with the "Architekturmuseum der Technischen Universität" (Munich Technical University's Museum of Architecture), in one building and is deemed one of the most important and popular museums of modern art in Europe.
In contrast to other cities Munich was not much affected by the Nazi regime's banning of modern art as "degenerate art," since only a few modern paintings were already collected by the "Tschudi Contribution" in 1905/1914, like the "Still Life with Geraniums" of Henri Matisse, the collection's first acquisition. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals and several foundations. Various art movements of the 20th century are represented in the collection, including Expressionism, Fauvism, Cubism, New Objectivity, Bauhaus, Surrealism, Abstract Expressionism, Pop Art and Minimal Art.
The first floor of the west wing displays works of Georges Braque, Fernand Léger, Juan Gris, Umberto Boccioni, Robert Delaunay, Joan Miró and René Magritte as well as Lyonel Feininger, Oskar Kokoschka, László Moholy-Nagy, Otto Dix, Max Ernst, Giorgio de Chirico, Salvador Dalí and Francis Bacon. Very comprehensive are the collected works of Pablo Picasso and Max Beckmann.
The museum also displays masterpieces of German Expressionism: representing painters of two early 20th century German artist groups, Die Brücke (The bridge) and Der Blaue Reiter (The blue rider), whose members included, among others, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Emil Nolde and Franz Marc, August Macke, Paul Klee, Alexej von Jawlensky and Wassily Kandinsky.
The Bavarian State collection of work on paper has its origin in the Wittelsbach collections, especially in the print room collection of Charles Theodore, Elector of Bavaria. The ground floor shows alternating exhibitions of one of the most important collection of works on paper in Germany, with old German, Dutch and Italian drawings ( including masterpieces of Albrecht Dürer, Rembrandt, Michelangelo and Leonardo da Vinci ) and German and international drawings of the 19th - 21st century, e.g. from Paul Cezanne, Henri Matisse, Paul Klee and David Hockney.
The museum of the Technical University of Munich started with a donation of King Ludwig II of Bavaria for the newly-founded university in 1868 and is today the largest one in Germany. The museum shows altering exhibitions in the ground floor. The collection shows especially drawings, blueprints, photographs, models and computer animations about the work of notable architects like François de Cuvilliés, Balthasar Neumann, Gottfried Semper, Le Corbusier, and Günther Behnisch.
The Collection of applied modernist art was founded in 1925. With around 70.000 objects of industrial design, graphic design and the arts and crafts the "Neue Sammlung" is today one of the world's leading museums of 20th century applied art, and indeed the largest of industrial design. Parts of the expanded collection are exhibited in the basement of the Pinakothek der Moderne. Among others objects about motor vehicle design, computer culture, design of artistic jewelry and furnitures (e.g. the collection of chairs of Michael Thonet) are exhibited.