The New Cathedral (Spanish: Catedral Nueva) is, together with the Old Cathedral, one of the two cathedrals of Salamanca, Spain. It was constructed between the 16th and 18th centuries in two styles: late Gothic and Baroque. Building began in 1513 and the cathedral was consecrated in 1733. It was commissioned by Ferdinand V of Castile of Spain. It was declared a national monument by royal decree in 1887.
The building began at a time when the gothic style was becoming less popular and was merging with the new Renaissance style, giving the resulting Plateresque style in Spain. However, this cathedral retained more of its Gothic character because the authorities wanted the new cathedral to blend with the old one. Thus the new cathedral was constructed, continuing with Gothic style during the 17th and 18th centuries. However, during the 18th century, two elements were added that broke with the showy form with the predominant style of the building: a Baroque cupola on the transept and the final stages of the bell tower (92 m). The new cathedral was constructed without the subsequent destruction of the old cathedral as normally happened but a wall of the new cathedral, leans on the North wall of the old one. For this reason, the old cathedral had to be reinforced, and the bell tower was constructed on the old one. Two of the main architects of the cathedral were Juan Gil de Hontañón and his son Rodrigo Gil de Hontañón in 1538.
Its main entrance consists of three richly decorated arcs, each leading to the three naves (sections) of the church.
Cracks and broken windows are visible reminders of the devastating effects of the 1755 Lisbon earthquake, still visible today. After the earthquake, repairs were necessary to the cupola and the base of the tower which were reinforced with a lining of lines of sillares, in the form of a pyramid trunk that spoiled the basic profile of the tower (this tower is a virtual twin of the tower of the cathedral of Segovia). The moment of this catastrophe is commemorated with the "Mariquelo" tradition on October 31, when every year residents climb to the cupola high above and play flutes and drums.
Among the ornate carvings on the façade are those of a faun eating an ice cream and of an astronaut added during restoration work in 1992, when one of the artisans engaged in the project chose to carve strange figures into the stone.
