Almásy devoted a chapter to the cave in his 1934 book The Unknown Sahara. In it he postulates that the swimming scenes are real depictions of life at the time of painting and that there had been a change in climate since that time. This theory was so new at that time that his first editor added several footnotes, to make it clear that he did not share this opinion.
The cave is mentioned in the book The English Patient and the film based upon it. The cave shown in the film is not the original but a film set created by a modern artist.
Substantial portions of the cave have been irreversibly damaged by visitors in the years since the film was released. Fragments of the paintings have been removed as souvenirs, and some surfaces have cracked after water was applied to 'enhance' their contrast for photographs. Modern graffiti has been inscribed upon the wall, and tourist littering remains a problem. Steps have been taken to reduce future damage by training guides and clearing litter from the vicinity, but this important rock art site remains fragile, and risks future disturbances as tourist traffic to the region increases.
References
- László Almásy (1934): The Unknown Sahara. Translation of the Hungarian original Az Ismeretlen Szahara, 2002 , by Andras Zboray
- Ladislaus E. Almasy (1998): Schwimmer in der Wüste. Auf der Suche nach der Oase Zarzura. DTV, München, ISBN 3423126132
- The Cave of Swimmers Egyptian caves. Accessed March 2008
- Cosmos magazine People followed the rains in ancient Sahara Friday, 21 July 2006 by Marie Theresa Bray. Accessed March 2008
