The National Basilica of the Sacred Heart (French: Basilique Nationale du Sacré-Cœur, Dutch: Nationale Basiliek van het Heilig-Hart ) is a Roman Catholic Minor Basilica and parish church in Brussels. The church was dedicated to the Sacred Heart, inspired by the Basilique du Sacré-Coeur in Paris. Symbolically King Leopold II laid the first stone of the basilica in 1905 during the celebrations of the 75th anniversary of Belgian independence. The construction was halted by the two World Wars and wasn't finished until 1969. Belonging to the Metropolitan Archbishopric of Mechelen-Brussels, it is the sixth largest Roman Catholic church by area in the world.
Located in the Parc Elisabeth atop the Koekelberg Hill in Brussels' Koekelberg municipality, the church is popularly known as the Koekelberg Basilica (French: Basilique de Koekelberg or Dutch: Basiliek van Koekelberg). The massive brick and concrete reinforced church features two thin towers and a green copper dome that rises 89 metres (292 ft) above the ground, dominating the northwestern skyline of Brussels.
Mid-19th Century, King Leopold I dreamed of turning the uninhabited Koekelberg hill into a royal residence area. After his death, just before 1880, King Leopold II envisaged building a Belgian Panthéon dedicated to Great Belgians, inspired by the French Panthéon in Paris, to commemorate the 50th anniversary of Belgian independence. The King dropped this project due to the lack of enthusiasm of the Belgian population. In 1902, King Leopold II visited the Basilique du Sacré-Coeur of Paris and decided to build instead a pilgrimage church, a national sanctuary dedicated to the Sacred Heart of Jesus.
The initial project of Leuven-based architect Pierre Langerock was a sumptuous neo-gothic church inspired by the "ideal cathedral" of Eugène Viollet-le-Duc. King Leopold II laid the first stone on October 12, 1905 during the celebrations commemorating the 75th anniversary of Belgian independence. Financing the construction of the church soon became a problem. Only the foundations had been finished when World War I broke out. In his pastoral letter for Christmas 1914, Cardinal Mercier gave the Basilica a new meaning:
“ | French: Aussitôt que la Paix luira sur notre pays, nous relèverons
nos ruines, et nous espérons bien mettre le couronnement à cette
œuvre de reconstruction en élevant sur les hauteurs de la capitale
de la Belgique libre et catholique, la Basilique Nationale du
Sacré-Cœur.
English: As soon as Peace shines on our country, we will rebuild on our ruins, and we hope to put the crowning touch on this work of reconstruction by building, on the heights of the capital of free and catholic Belgium, the National Basilica of the Sacred Heart. |
” |
On 29 June 1919, King Albert I and a large crowd associated themselves with this promise in a ceremony on the Koekelberg Hill. However it was impossible to resume Langerock's plan due to the state of public finances. A project by architect Albert Van Huffel was adopted.
Jozef-Ernest Cardinal van Roey consecrated the unfinished church on October 14, 1935, after obtaining a special authorisation from Pope Pius XI. The cupola was finished in 1969 and, on 11 November 1970, the ceremony for the 25th anniversary of the episcopate of Archbishop of Mechelen-Brussels Leo Cardinal Suenens marked the completion of the construction of the Basilica.
The final design by architect Albert Van Huffel won the great architecture prize at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris.
The church, on Koekelberg hill, is a landmark on the Brussels skyline. It is the largest building in Art Deco style in the world, at 89 metres high and 164.5 metres long (outside length). The cupola platform affords an excellent city panoramic view of Brussels and the wider area of Flemish-Brabant. The central nave is 141 metres long, and at its widest the building is 107 metres. The cupola has a diameter of 33 metres. The church accommodates 2000 people.
The building combines reinforced concrete with terracotta layering, bricks, and dimension stone. Belgian painter Anto Carte (1886-1954) designed the eight stained glass windows representing the life of Jesus.
This enormous building houses Catholic Church celebrations in both main Belgian national languages (Dutch and French), as well as conferences, exhibitions (as in 2007-2008, the International Leonardo da Vinci Expo), a restaurant, a Catholic radio station, a theatre, two museums, and is a training site for speleology and climbers.